Hauntings from the Sixth Extinction


This cyanotype series inscribes herbarium sheets of extinct or extinct-in-the-wild plants archived at Kew, which has the largest herbarium in the world. 

What does it mean to preserve dried fragments of plants who no longer grow outside of tightly controlled environments like botanical gardens? What stories live on in these sheets, and what stories are irrevocable? 

The series evokes these plants’ archival hauntings, alluded to by the ghostly shadows drawn in chalk over the prints. The cyanotype acts as an inversion of the herbarium sheet, representing a plant that has been collected, dried, flattened, imaged, re-imaged and transferred via sunlight onto the final print.